Your bespoke, game-changing copy is the problem

photo credit: Greg Rosenke

You lost me at… bespoke.

It's one of many words that, when pressed, organizations don't really mean or embrace.

Words that would rarely, if ever, come up during conversation, let alone a contract negotiation.

Yet there it is... part of the web copy, the pitch deck, and the promo ad.

Not everyone cares about your word choice.
(but some do)

Not everyone sees you borrowing from the competition's vernacular.
(relax, most people don't believe them either)

So keep this in mind:

• There are few one-of-a-kind hand soaps or social services providers.

• There are even fewer game-changing law practices or pumpkin patches.

• And fewer still... bespoke agencies or pest exterminators.
  
  

Then ask:

• What do we do well enough for the ideal customer or client to say, "We could benefit from that"? (we're not even aiming for uniqueness or greatness yet, just relatability to their needs)

If they have to look up bespoke or question your unverifiable claim, they’re likely seeking out the competition next to see if they speak plainly to their pain point.

Make it EASY for people to choose you.

And when it doubt, always simplify.

The creative act of owning the box you're building

THEM: We need something.... "out-of-the-box and more creative."

BOLD VERSION OF YOU: No, I don't think that is the real need.

This isn't confrontational or a posture of unwillingness.
It's being helpful.
It's choosing to speak truth.
It's being the problem-solver you were called to be.

It's why they hired outside eyes and brains and proven talent to give them an honest, unvarnished perspective they lack.

Because you work in nonfiction, working hard to tell real and not made-up stories to real people (and target audiences) over algorithms, which is the opposite of a fictional marketing fantasyland.

Because you read in an old brief somewhere or the owners told you why they started this business in the first place, which, based on the "creative" they now want to be more creative, doesn't look or sound at all like why they created this business in the first place.

Because people don't like being marketed and sold to, let alone sliding down a brand's sales funnel.

Because people who make purchasing decisions often have a built-in BS detector that clients struggle detect in their own work.

Because people simply want good service from people they can trust, people that remind them of them, even if they don't look or think like them.

Because "creative" is wildly subjective.

Because the "creative" shouldn't be about their likes, but their customers' wants, needs, desires and solutions to pain points.

Because you're not trying to win trophies, you're trying to help them grow their business.

Because creativity for creativity's sake can mask a good straightforward story with unnecessary distractions.

Because the best creativity doesn't steal the show, it puts the spotlight on the show itself.

Maybe what's needed isn't something more creative or out of the box.

Maybe what's missing is getting back to that reason the business was started in the first place: to do things differently, to break away from the crowd instead of following it, mimicking it, competing with it.

Maybe reminding them, giving them permission, and pushing them toward having the audacity to do their thing, their way, and in a way that speaks to the heart of others who also find that way compelling -- is the most compelling and creative thing you can do.

Maybe it's about unapologetically owning the very box they've built.

Or there's this, which is possibly the worst-case scenario where everyone wilts just a little bit more and as they maintain the status quo:

NON-BOLD VERSION OF YOU: Sure, we'll take a stab at making it more creative.

It's time to be more bold.

Bold is honest, direct and often simple (that doesn't mean it's easy).

And businesses need boldness now more than ever.

Short attention spans, content deficits, and disconnects

You have 1.3 seconds.

One. point. three.

That’s the length of Gen Z’s attention span according to a new global study.

The good news is you’ll get a few seconds more with older generations.

To clarify, this is about active attention spans regarding advertising.

But advertising is a form of messaging. A sliver of storytelling.

And it either grabs one’s attention or it doesn’t. It’s memorable or it’s not.

This is an age-old challenge for advertisers and marketers: How to grab that fast-fleeting attention for a few seconds. And then a few more. The stakes have been raised and there is pressure-cooked dilemma of attention deficit driven by social media scrolling.

But don’t worry. Your marketing team will creatively crack the code.

You’ve got bigger fish to fry. Like answering this question:

What will we say once we have their attention?

More than two decades of asking company leaders what they do, why they do it, why people should choose their product/service – and then asking their people the same question – and it’s pretty clear most orgs don’t have clear-cut answers.

Vague ones? Yes.

Succinct and consistent? Rarely.

1.3 seconds of cool may be just that — cool.

What it cannot do is convey your complex message, even when distilled to something simple.

However, creativity can point to your story that connects emotionally to an audience.

Of course you know your story, right?

The one your team knows inside and out?

That conveys your unique value and what you bring to the market?

That underscores why people – employees and customers alike – are all in on what you do?

Yes? Vaguely?

This takes more than 1.3 seconds.

So breathe.

And let your creative team be creative when it comes to grabbing attention.

Don’t let an audience attention deficit lead your business into a content deficit.

You still need to nail your story. Know your why. Clarify what makes you worth their time.

Remember that old-school metric about how an audience needs to see/hear your message nine times for before truly acknowledging it for the first time?

The same is true in a generation of scrollers.

Except today it’s going to take a lot more than nine times.

But once you grab their attention, it’s game on.

To keep their attention you need to make a meaningful connection.

And in case you need reminded, that is why your company exists in the first place.

The overlooked value of your unseen audience

How much anxiety does the fear of an unliked post bring?

Plenty.

Study after study confirms the anxiety and depression it wields, especially among young people — perhaps the same young people who are or soon will be running your social media.

And for what? The measurable love of the heart button and that thumbs-up prompt?

Yet we’re told not to get caught up in the “likes” metric.  

That it’s really about engagement — you know, that other metric.

Here’s the thing: I agree with part of that logic. And I agree it can be lonely out there.

But I don’t view any post as a success of failure based on the illuminated heart or thumb.

Nor should you.

Because there are too many factors outside your control once content goes public.

Knowing this, some people will go to extreme measures to avert a low number of likes.

Perhaps you’ve been asked to like posts (even though we’re not getting caught up in that metric, right?)

Maybe you’ve be confronted with this question from friends, colleagues, or even clients:

“Why don’t you ‘like’ my content?”

My answer is: “I see your content and quite often I enjoy it. It’s just not meant for my audience.”

That’s not a slight, it is a reality of navigating a messy, algorithmic socialsphere.

Because when you “like” something, some platforms are compelled to put that liked content in front of your audience, too. And no matter how good it is, it might not be right/ideal/appropriate for your audience.

This is often an overlooked, secondary level of your content strategy — being keenly aware of everything you are putting in front of your audience.

So, back to my response about seeing content, but not reacting to it publicly.

The practice is known as lurking — and it is the bane of analytics teams because it lacks helpful, actionable data. That can push some decision-makers down the slippery slope of “if we can’t measure it, we shouldn’t do it.”

This should be the “a-ha moment” for anyone creating and sharing content.

You can safely assume there could be hundreds of lurkers seeing what you share, who perhaps don’t want to click, get hunted down, or sign up for your finely crafted marketing material — as good as it is.

This isn’t permission to inflate data, but it is permission to accept that a wider viewership exists.

That some of them are thinking about it.

That maybe a few will react to it.

And that perhaps someone will reach out because of it.

If not now, then over time as you continue to provide value.

It is the opposite of instantaneous gratification; opposite of the dopamine hit these platforms reward and we’ve come to crave.

Ask yourself this: during your last scroll through social media are you likely to remember what you liked or who provided value or insight? (it also might’ve been a like).

Proof of the unseen audience

In my other life as a painter, I share my work frequently online.

The vast majority — 80 to 90 percent — of people who have reached out and eventually purchased my work were unknown to me.

They weren’t publicly liking the work.

They didn’t comment on what the read or saw.

And they didn’t sign up to take a voluntary slide down my sales funnel.  

Instead, they were simply paying attention, patiently waiting, lurking…

Until it was time to act (and yes, marketers hate this random waiting and not knowing).

And here’s your takeaway:

We’ve all been conditioned to measure, to be metric hungry.

But conversion – the metric that really matters – comes in ways we can’t always graph or add up on a spreadsheet.

Sometimes – perhaps most of the time – our work is about showing up when it appears nobody is paying any attention.

Show up anyway.

Do the work. Provide value. Repeat.  

Enjoy the likes if/when they come. Engage those people if it makes sense.

But also feed the lurkers by playing the long and often quiet game.

Because when your sales funnel fails to tell you where out-of-the-blue customers come from…

When you’re left to assume they arrived on your doorstep without seeing your carefully curated email drip campaign or gated downloadable content, ask:

Would I prefer this interest and potential to become a right-fit customer come from…

A Google search? (assuming you’ve got a good SEO game going)

A Referral?

The individual quietly lurking but paying attention?

Referral is obvious, but quietly lurking is a close second in my book.

It is unseen, below-the-surface interest before there’s actual engagement.

It is the quiet act of someone building knowledge and respect for what you offer long before there’s an offer on the table.  

Don’t get too caught up in the likes, engagement, and things you can neatly plot as told + sold in a social media playbook.  It’s complicated. And frankly, you have better things to do than play beat the algorithm.

Which is why we can all like and learn to embrace the idea that lurkers exist.

Lurkers, when moved to action, bring a lot more end value than likes.

And that’s a metric everyone can get behind — if you have the patience.

Four missteps organizations make with storytelling

If you asked a variety of people in different roles across your organization – what’s our company story? –what kind of reaction would you get? Would your colleagues accurately tell the company story? Chances are you might hear them say something like: “that’s not part of my role” or “marketing is in charge of that” or “I don’t really know.”

It begs this important question about storytelling – whose job is it anyway?

The marketing department? C-suite? Management-level employees? Those working the front lines with stakeholders? Sales teams? People behind the scenes? Those with the longest history within the organization?

The short answer is – yes. Yes to all of them. Storytelling is everyone’s responsibility.

However, it’s not surprising to see most organizations delegate the role of storytelling to the marketing department.

This is misguided thinking and where many organizations miss the point of that all-too-trendy term – storytelling. Here are four missteps that organizations commonly make with storytelling.

1.     Confusing story management with storytelling

Someone or some assigned team needs to take the lead in unearthing and positioning the organization’s most important stories. It should be their task to write them down for the sake of sharing in-house with employees and externally/online for stakeholders and customers in a clear and consistent way. The marketing function is a logical choice for establishing these pieces and developing the repository where the organization’s history, key messages and must-share stories can be found.

But let’s be clear – this is simply the act of story management.

What we’re talking about is storytelling – the verbal articulation of something deemed important – and that should be everyone’s business.

2.     Failing to connect the story with actual storytellers

Most of us don’t like the idea of being marketed to or sold something, at least not until we are ready to engage on our own terms. That fact alone makes every other function outside of the marketing department, and the vast majority of employees in an organization, critical storytellers. When people within an organization are empowered to tell stories about the business and their business – what we do, why we do it (purpose), who we seek to serve, why it matters, how we’re different, and why you should care – it is no longer marketing or sales. It is the sharing of ideas and of a larger ideal. It is storytelling.  And this becomes immensely valuable in cultivating a desirable work culture, attracting and retaining new hires, and stirring the curiosity among people who become clients, customers and advocates.

3.     Overlooking the importance of empathy and delivery

Consider this excerpt regarding the nuance of story from the English novelist E.M. Forster:

“If I say to you the king died, and then the queen died, that is a sequence of events.

But if I said the king died, and then the queen died of grief, that’s a story. That’s human. That calls for empathy on the part of the teller of the story and on the part of the reader or listener of the story.”

Read this again:  “Empathy on the part of the teller of the story...”

That is significant.

If we rely on marketing for our stories but don’t have an intimate knowledge of those stories ourselves and how to tell them – with empathy – our attempt at telling stories becomes little more than a list of facts, talking points, or a sequence of events. Worse yet, if we rely solely on marketing to be the mouthpiece of our stories we miss untold opportunities to engage people on the importance of our purpose and our work.   

And there’s this:  “...and on the part of the reader or listener.”

This is an important reminder that our audiences will engage and process our stories differently.

Every time I deliver a messaging document to a client for the first time, I ask them if they will humor me as I read it aloud. They are perfectly capable of reading it on their own, but I know that people interpret what they hear differently from what they read. Inflection is added in the right places for needed effect, and my voice becomes the audible highlighter of words and ideas that they otherwise might skim over.

We need the marketing team’s help to craft stories and position them for a compelling read in all formats – from the tweet that piques interest, to the website copy, to tangible printed material that compels a stakeholder to slow down and sit with our words.

But we also need the c-suite to lead by example – to know and convey stories with the passion we should expect from leaders, so that managers and employees (as listeners) can make a personal connection and become storytellers themselves by following their lead.

Marketing has its place.

Content is valuable and can be readily accessible.

But there is no replacing the sound and impact of a point well-made coming from a leader. 

4.     Ignoring the history of a story and failing to pull from it

David McCullough, the Pulitzer Prize-winning American author and well-known historian, said this about the importance of history and story in a 2004 commencement speech at Ohio University titled The Bulwark of Freedom:

“We have to know who we are if we are to know where we are headed. This is essential. We have to value what our forbears did for us or we are not going to care about it very seriously, and it can slip away.”

While McCullough refers to the story of one’s country and the importance of knowing history as it informs the future of a nation, the same can be said for nearly any organization or institution. Past and present stories provide the factual and credible narrative needed to set us apart from others. It is what we must lean into, it is our compass as we seek to chart new and exciting futures. 

Is your organization recording the stories that matter by writing them down, reciting them and sharing them regularly?

Do you and the people in your organization know its rich history, its defined purpose and how it intends to make a difference?

This isn’t arbitrary work. Your organization’s reason for being is rooted in story.

If you don’t know the story, you can’t tell it.

And if it’s not seen as something to take seriously, then there’s truly a lot at risk of slipping away.